The September Socialist Voice is now available online
List of articles in this issue
In early September the minister for public expenditure, Brendan Howlin, claimed that the Government’s economic strategy was so successful that “we’re not going back to boom and bust.” But he is not the first social democrat, and no doubt will not be the last, to make that grandiose claim.
Slump and boom are inherent in the capitalist system, and recurrent crises cannot be prevented within capitalism but only by defeating capitalism itself.
Capitalism is prone to sequences of slump and boom, coupled with wild financial speculation and property and asset bubbles. It simply cannot exist otherwise.
Being a theoretical journal with an unambiguous world view, Socialist Voice places less emphasis on the type of investigative journalism that features prominently in more commercially inclined publications. Nevertheless there is a role for this method of news-gathering and especially when an intriguing rumour is begging for authentication.
The United States is one of three countries that have failed to ratify the UN Convention on the Rights of the Child. In this it finds itself in the august company of Somalia and South Sudan. Somalia, however, has committed itself to ratifying, and South Sudan’s parliament has passed a bill to do so.
To be fair, it has to be said that the United States played an active role in the drafting of the bill, and has actually signed, though not ratified, it. Among the reasons given is the fear of a backlash from the religious right, who see the bill as an assault on their rights.
Like any organisation, the Republican Congress was a product of its time and place; therefore we need to understand it on its own terms and in the historical conditions of the time.
Ireland eighty years later is a different place from the Ireland of the 1920s and 30s. The world is different, and the balance of forces has shifted.
We need to consider such factors as the deep economic crisis of the system at the time, which had a huge impact on Ireland. Unemployment in the South stood at more than a quarter of a million; there was mass emigration, widespread poverty, and evictions from farms and homes.
A recent report from the Higher Education Authority reveals a stark class divide in Dublin when it comes to access to higher education. The report confirms what all socialists already knew: that teenagers from the leafy middle-class suburbs are far more likely to go on to third-level education than those from less privileged areas of the city.
In July, RTE featured a documentary on Paul Kimmage, the sports journalist. He was portrayed as the journalist who exposed Lance Armstrong as a cheat, and was one of the main journalists who campaigned about the use of drugs in professional cycling.
There is no doubt that Kimmage is a unique journalist, and in fact he is one of the small number of people—never mind journalists—who actually completed a Tour de France when he was a professional cyclist. He could have completed a second Tour but withdrew. This still seems to be a source of regret to him.
National Executive Committee, Communist Party of Ireland
The National Executive Committee of the Communist Party of Ireland expresses its solidarity with workers now engaged in industrial struggles to defend their livelihood.
Iarnród Éireann workers are struggling to prevent a cut in wages arising out of Government policy, which is to to run down the rail service, and public transport in general, in the interests of privately owned companies, to shift the burden of running public transport onto the workers and travelling public, and to remove the state from any meaningful social responsibility for providing a comprehensive public transport service.
René González, the first of the Cuban Five to be released, was due to speak at meetings in Liverpool and London to mark the sixteenth anniversary of their arrest.
It was announced last month that the value of Government bonds at the end of last May was €113.216 billion—120 per cent of the value of the country’s annual economic output. 53 per cent of these bonds are held by foreign individuals and institutions.
Along with Portugal, Ireland is one of the EU’s most indebted countries, and it has recently taken to share-switching to stave off an inability to pay its creditors. Short-term bonds due to be cashed in in 2016 are swapped for ten-year bonds, and so the evil day is postponed.
Féile na bhFlaitheartach, 2014—the Liam and Tom O’Flaherty Society’s August summer school—was a fantastic weekend, richly rewarding for all who made it to Árainn.
The school opened with a talk by Theo Dorgan on the horrific industrial slaughter that was the First World War, making the point that if it were not for the literary records of the brutality and horrors of this war in books such as Liam O’Flaherty’s Return of the Brute later generations could be more easily duped by politicians and the the media into believing there was something heroic in it.
Frank Connolly, Tom Gilmartin: The Man Who Brought Down a Taoiseach and Exposed the Corruption and Greed at the Heart of Irish Politics (Dublin: Gill and Macmillan, 2014); ISBN 978-0-7171-6047-1; €16.99 / £14.99.
Níl siad imithe uainn fós, bíodh a fhios agat—polaiteoirí, baincéirí, lucht forbartha, agus infheisteoirí cama, ná na fórsaí taobh thiar díobh. Ná níl scéal Bhinse Flood/Mahon thart go fóill, mar a mheabhraigh cúis George Redmond sa Chúirt Uachtarach dúinn i mí Iúil.
Tomás Mac Síomóin, Is Stacey Pregnant? Notes from the Irish Dystopia (Nuascéalta, 2014; ISBN 978-1-4992-1354-6; $10.75). Available from Amazon, Connolly Books, and general booksellers.
Anybody familiar with Orwell’s Animal Farm will be amused by Tomás Mac Síomóin’s rebirth of the pig as the “Smilin’ Porky” in his newly published novel Is Stacey Pregnant?—although the amusement will not last long as this novel gradually unfolds its horror!
Expressionism is an art form that developed fully in Germany in the years before the First World War (in painting, poetry and drama) and after the war in German cinema. It arose from a sense of existential fear and a world going out of control.
Its themes are very often psychological struggle, insanity, and unfathomable forces controlling people’s lives. Mainstream bourgeois aesthetics of outward objectivity are rejected in favour of the aesthetics of ugliness as the way these artists perceived their reality in the build-up for war and following it, right through the 1920s.
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