Progressive Film Club
Oscar-nominated “5 Broken Cameras” amongst the attractions in upcoming Palfest.
In the meantime we will try to keep you posted on any upcoming films that might be of interest such as these that are being screened during the upcoming Palfest (full details from site).
SMALL HANDS IN HANDCUFFS
In October 2013, Anrai Carroll, a 16 yr old Transition year student travelled to the West Bank to make a film about child arrests in Palestine. Posing as tourists, Anrai and his mum, activist Brenda Carroll flew to Israel and travelled on to the West Bank where Anrai finally met Mahmoud, a boy his own age who was arrested at 14 and imprisoned for almost a year and a half, also Rasim, 18, who lives in fear of a knock on the door which could mean his arrest.
Anrai’s film shows not just the physical journey but the painfully emotional and sometimes scary transition from naive xbox player to a wiser and stronger young man. What started as a simple idea in Powerscourt Lawns, Waterford has grown into a global symbol of solidarity.
Flying Paper tells the uplifting story of resilient Palestinian youth in the Gaza Strip on a quest to shatter the Guinness World Record for the most kites ever flown. This feature-length documentary film is directed by Nitin Sawhney and Roger Hill and co-produced with a team of young filmmakers in Gaza.
FIVE BROKEN CAMERAS
A screening of Emad Burnat’s Oscar-nominated Documentary, – an extraordinary work of both cinematic and political activism, 5 Broken Cameras is a deeply personal, first-hand account of non-violent resistance in Bil’in, a West Bank village threatened by encroaching Israeli settlements. Shot almost entirely by Palestinian farmer Emad Burnat, who bought his first camera in 2005 to record the birth of his youngest son, the footage was later given to Israeli co-director Guy Davidi to edit. Structured around the violent destruction of each one of Burnat’s cameras, the filmmakers’ collaboration follows one family’s evolution over five years of village turmoil. Burnat watches from behind the lens as olive trees are bulldozed, protests intensify, and lives are lost. “I feel like the camera protects me,” he says, “but it’s an illusion.”
“It presents with overwhelming power a case of injustice on a massive scale, and gives us a direct experience of what it’s like to be on the receiving end of oppression and dispossession, administered by the unyielding, stony-faced representatives of those convinced of their own righteousness.” – Philip French, The Guardian.
Armed with her camera and a dilapidated family car that keeps breaking down, filmmaker Leila Sansour plans to make an epic film about a legendary town in crisis but just few months into filming her life and the film take an unexpected turn when cousin Carol, Leila’s last relative in town, persuades her to stay in Bethlehem, her hometown she had left years before, to start a campaign to save the city.
As the pair launch OPEN BETHLEHEM, Leila finds herself trapped behind a wall in the very place she so much wanted to leave. The face of Bethlehem is changing rapidly with potentially detrimental consequences. Reports predict that if trends continue the Christian community of Bethlehem, a city that provides a model for a multi faith Middle East, may be unsustainable within one generation. Leila’s plan to stay a year stretches to seven.
OPEN BETHLEHEM is a story of a homecoming to the world’s most famous little town. The film spans seven momentous years in the life of Bethlehem, revealing a city of astonishing beauty and political strife, under occupation. The film draws from 700 hours of original footage and some rare archive material. In fact the making of this film has led to the creation of the largest visual archive of Bethlehem in the world and plans are currently being discussed with University College London (UCL) to turn the collection into a museum.
Website ;- http://www.palfestireland.net/
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