This was originally published on Raymond Deane’s blog, the Deanery on the 16th of May.
As everyone knows by now, The Gatekeepers is a 2012 Academy award-nominated documentary film made by the Israeli director Dror Moreh. Moreh succeeded in interviewing the last six heads of Israel’s General Security Services, better known by its Hebrew acronym Shin Bet. These gentlemen display considerable frankness about the nature of their past activities, their belated advocacy of a two-state solution to the Palestine issue and their negative views of successive Israeli governments.
It’s not my purpose here to write another review of this much talked-about but surprisingly uncontroversial film. Interesting articles, both of which discuss it in conjunction with the Israeli/Palestinian film 5 Broken Cameras, may be read here and here. Instead, I wish to reflect on some worrisome aspects of the film’s framing and reception in public discourse, and to suggest that its propagandistic effect is dependent on such framing.