Book Review: Event, Slavoj Žižek; The Most Sublime Hysteric, Slavoj Žižek and Hegel and the Art of Negation, Andrew W. Hass
Event, Slavoj Žižek (Penguin, 2014)
A difficulty in reading Žižek is that he often seems to be juggling with too many balls, making dizzy the reader who tries to track the course of a single idea as it speedily travels from one page to the next before somersaulting in a paragraph. The challenge is not in grasping the idea but in following it amidst the inflections and involuting digressions. The whole asymptotic shebang can become just too much and the exasperated reader is tempted to close shop on the whole act by slamming the book shut.
What makes Event easier to read and follow through from start to finish is that this time one of the balls is bigger and more brightly coloured than all the others. The reader can keep this master ball in focus, safe in the knowledge that the smaller ones circulating with it are all derivatives, examples or reduplications of the one defining conceit: Event.
Ordinarily an event is just something that happens but with an Event something is realized in a way that is extraordinary. Rust Cohle in True Detective is far from being an ordinary police officer because of how he actualizes and fully realizes, in a Platonic way, the Idea of the detective. For Plato, everyday empirical reality is a pale shadow of the bright and substantial reality of Ideas, an originary and eternal order not to be confused with the fleeting world of appearances. DunmanusBay that I see outside a window, and every other bay that anyone ever sees, only participates in the Idea of Bay by virtue of being a surface copy. Žižek gives Platonism a twist by saying, yes, there are absolute Ideas but they realize themselves purely in appearance. Rust Cohle, in the pursuit of his investigation embodies what it authentically means to be a detective, he enacts the truth that belongs to the concept of detective and in him the Idea of detective shines in all its purity. The essence that he embodies is there, unhidden in the material reality of his behaviour. In Hegelese, the distinction between appearance and essence is inscribed within appearance – because appearance is all there is.
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Book Review: Subjects of Desire, Judith Butler (Columbia University Press, 2012) and Hegel’s Phenomenology of Spirit Stephen Houlgate (Bloomsbury, 2013)
Originally published in 1987, this new edition reflects the renewal of interest in Hegel and the overcoming of the obstacle that has for so long bedevilled an appreciation of his tremendous philosophical achievement. The obstacle is the label that has attached itself to Hegel as the omnivorous philosopher of totality, the thinker who espouses the holy grail of a final and all-encompassing state that unites thought and reality. The rejection of this prevalent view is the basis for Butler’s understanding of Hegel as a philosopher of antagonism who recognises the impossibility of a grand and harmonious reconciliation between knowledge and the subject. Hegel’s The Phenomenology of Spirit details the journey of the subject attempting to reach a point where its sought-after plenitude and knowledge of the world are at one, but this is a journey defined by its failure. The absolute is the recognition of failure and of the inherent antagonism that robs being of the oneness that it would wish to embody. The satisfaction that is sought is kept at bay by the restless play of negation.
What, though, is meant by the negative, where does it reside and why cannot the subject find a final satisfaction for desire? Reality as we understand it has to be seen as a construct in the sense that Kant propounded – shaped and given form by our conceptual apparatus — but there is no solid kernel resting in the background behind our horizon of meaning. There is only what Žižek describes as a ‘chaotic non-all proto reality’, the virtual multiplicities and proliferating pluralities that are evoked in the language of quantum physics. It is reality itself that is out-of-synch, riven with gaps and discontinuities, and its non-unity is the ultimate ground and truth behind the assertion that ‘there is no big Other’. Butler, writing two years before Žižek’s first major book in English (The Sublime Object of Desire) appeared on the scene, does not acknowledge or rely on such an ontology in her introductory chapters in Hegel but it helps in understanding why she lays out the ground in the way she does.
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Book Review:Diary of an Escape – Antonio Negri (Polity Press, 2010) “The recent days have shown the enormous gap that exists between our capacity to produce truth and the court’s inert expression of its unbelievable…
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